Personajes teatrales que se escapan de las páginas de sus novelas:  interpluritextualidad en el teatro de Mario Vargas Llosa

Shirley Verónica Chumacero Ancajima

doi:10.35383/educare.v12i2.1153

Shirley Verónica Chumacero Ancajima Universidad Nacional de Educación a Distancia (UNED)

DOI: https://doi.org/10.35383/educare.v12i2.1153

Keywords: intertextualidad, autointertextualidad, intratextualidad, autotextualidad, autotexto, interpluritextualidad

Abstract

Interpluritextuality (or also intratextuality, autointertextuality), which builds a bridge between novels and theatre, is a unique characteristic of Vargas Llosa's fiction. Connecting his narrative and his theatre using the same characters is part of the totalizing desire that Vargas Llosa has expressed in his essays and interviews. This Balzacian search and ambition to encompass the totality of humanity meant that several of his theatrical characters were conceived years before in his narrative and recovered from it to take on a leading role in the theatre later on. This recurrence can be traced back to Vargas Llosa's literary conception itself; Pedro Camacho, Zavalita, la Chunga, Lituma and the unconquerables are part of the entourage of cultural self-demons that have driven the Nobel Prize winner's creative force to the point of achieving their own existence. They did not preexist the creator, they were born with him in the novel and became visible in dramatic art. In this line, we propose in the present study: to analyze how such characters were conceived in a novel and exorcised in its theater.

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Author Biography

Shirley Verónica Chumacero Ancajima, Universidad Nacional de Educación a Distancia (UNED)

She began as a professor at the University of Piura (UDEP, Peru), an institution where she taught for ten years. He studied in Madrid, in 2009 he defended his thesis on Peruvian theater and earned the qualification of "excellent cum laude", achieving the title of Master in Hispanic Philology, by the Higher Center for Scientific Research (CSIC, Madrid) and by the University Distance Education National (UNED, Madrid). In 2014 she achieved another Master's degree in Spanish Language from the University of Piura, and she also obtained the highest grade. Between 2010 and 2016, she held the position of Academic Secretary of the Graduate School at the Santo Toribio de Mogrovejo Catholic University (USAT, Chiclayo-Peru). Currently, at USAT she is a research professor and teaches courses in Linguistics and Scientific Writing, she is an undergraduate and postgraduate thesis advisor, and academic coordinator of the Diploma Writing in the World of Research: Thesis, Book and Scientific Article. Likewise, she is a member of the Association of Text Correctors of Peru (ASCOT). She has a published book, as well as scientific and journalistic articles on linguistics and literature. She is pursuing a Ph.D. in Philology: Linguistic and Literary Studies. Theory and Applications (UNED, Spain). Research lines: academic literacy, university pedagogy and didactics, drama theory - theatrical discourse analysis, scientific discourse analysis.

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